PANGASINAN
Victorio C. Edades: The Father of Philippine Modern Art
Made National Artist  in Painting in 1976, Victorio C. Edades was the pioneer
in modernism in the Philippine art scene. In fact, he is known as the Father of
Modern Philippine Painting. A lot of his paintings portrayed the hardships of
the working class, using dark and somber colors and bold strokes.
Edades was born on December 23, 1895 in Dagupan, Pangasinan to Hilario Edades
and Cecilia Edades. He obtained his early education in barrio schools and went
to a high school in Lingayen. In 1919, he left for the United States to study
Architecture and Fine Arts at the University of Washington in Seattle. During
the summer, he worked in the salmon canneries of Alaska. It was also during his
stay in the U.S. that he married American Jean Garrott, with whom he had his
only daughter, Joan.
He returned to the Philippines in 1928 and in the same year had his first
one-man show at the Philippine Columbian Club. He also came up with two of his
most well-known works in that year: The Sketch (also known as The Artist and His
Model), and The Builders.
Edades joined the University of Santo Tomas in the 1930’s where he stayed on for
three decades and became dean of its Department of Architecture. It was he who
introduced the Liberal Arts program which led to a Bachelor’s Degree in Fine
Arts, a first in the Philippines since art was only taught in vocational schools
then. Edades later formed the Triumvirate of Modern Art with Carlos V. Francisco
and Galo B. Ocampo, after they produced a mural for the lobby of the Capitol
Theater on Escolta Street. This began the growth of mural painting in the
Philippines.
However, it was also during this period that the infamous debate between the
modernists and the conservatives, including Ariston Estrada, Ignacio Manlapaz
and Fermin Sanchez, took place. This was interrupted by the second World War,
but resumed in 1948, with sculptor Guillermo Tolentino and painter Fernando
Amorsolo representing the conservatives.
In 1938, Edades, together with Ocampo and Diosdado Lorenzo, established the
Atelier of Modern Art in Malate, Manila. This resulted in the formation of the
Thirteen Moderns, considered the pioneers of modern art in the Philippines. This
group was led by Edades and included Ocampo, Francisco, Lorenzo, Vicente S.
Manansala, H. R. Ocampo, Demetrio Diego, Bonifacio Cristobal, Cesar F. Legaspi,
Jose Pardo, Arsenio Capili, Ricarte Puruganan, and Anita Magsaysay-Ho.
Aside from this, Edades co-founded the Mindanao Ethnoculture Foundation, which
focused on the indigenous culture and heritage of Mindanao. In his last fifty
years, the subject of his paintings had also become indigenized.
Edades retired from the UST at the age of 70, and he was bestowed with the
degree of Doctor in Fine Arts, Honoris Causa. He then settled in Davao after
retirement.
On May 7, 1985, Victorio Edades passed away at the age of 89.
Edades’ major works include:
• 1928 – The Sketch, National Museum Collection
• 1928 – The Builders, Cultural Center of the Philippines Collection
• 1935 – Interaction, with Carlos V. Francisco and Galo B. Ocampo
• 1976 – Demoiselles D’avao
• 1979 – Kasaysayan, a mural for a Manila bank
Achievements:
• 1961 – Pro Patria Award, given during the Rizal Centennial Celebration
• 1964 – Patnubay ng Sining at Kalinangan Award, from the City of Manila
|
